…When musicians have unshakeable faith, it can give their work an unparalleled color and vibrancy. You can lean against it and it will hold you up. Think of the Staple Singers and how real their message feels, how much you believe it, even if only for the three minutes one of their songs lasts. Think of Alice Coltrane’s sublime devotional recordings at the Shanti Anantam Ashram, of the way Buddhism has deepened Leonard Cohen’s insight, of the moral vision Kendrick Lamar’s Christianity brings to his work, of the aching spiritual yearning of early Bob Marley. Even John Lennon’s atheist proselytizing has something like that effect — you feel like he believed in something intensely, and that belief was like a kind of devotion, and that devotion was more important to him, as a musician, than making money or getting laid or impressing you. And because of that you trusted him not to lie to you, and then the music became something more than entertainment — it became something that could help and even heal. That’s what Bill Fay has. In fact, I’m hard-pressed to think of a contemporary musician who has more of it than he does.
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